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The pens have a circular nib and have to be held approximately vertically.Where there is a change of direction of the line it is difficult to create a sharp corner.Although there are some advantages to working with a computer, it is unlikely I would have made the same mistake had it been drafted.The second sketch probably doesn’t belong on these pages, but is placed here as a notional fountain design based again on the same pattern.It is placed here to show something of the concentration that goes into study of this character of geometry as well as the accuracy I tried to maintain in drafting.Nowadays, drawing with computer programmes, there are still inaccuracies, but they are easier to deal with than when drawing with ink on paper.In the central junction the red lines have created a star effect.Note that it is not as symmetrical as I would have liked.

go to top of page In the context of the notes on this and the preceding page it should be noted that it was with the defeat of the Ummayad empire based in Damascus and the development of the Abbasid dynasty in Baghdad in 762 that a distinct Islamic form of art is said to have developed.It illustrates how readily adaptable these geometric designs might be.That is all there is of those early studies but, having had to reconstruct them quickly, it may well spur me to see how one or more of them might be developed as suggested in the sketch immediately above.This might have been due to the lines not drying before a new line was added.Finally, this detail of one of the junctions illustrates one of the problems of joining lines at bends in the pattern.This type of design is not uncommon, a variety of continuous lines being easily drawn and being suited to a design that interweaves. There are a number of patterns used to produce interlocking tiles, and this is just one of them.